THEATER

THE WORLD OF ART AND ENTERTAINMENT HAS OPENED UP! CURRENT AND UP AND COMING NEW OPTIONS ARE CHRONOLOGICALLY DATED…ADDITIONAL THEATER WEBSITES LISTED BELOW FOR POSSIBLE ADDITIONAL EVENTS NOT LISTED.

THE BOSTIX BOOTHS!!!!!!

Bostix is a signature program from ArtsBoston, the nonprofit marketing and audience development organization that provides access to the performing arts through lower-cost tickets, They provide unparalleled access to the best performances and tourist attractions in the city, along with exclusive ticket offers as well as information about pop-up performances, and interactive arts experiences. Multiple performances and organizations are often included on the list for available discounted tickets. This iconic landmark in Faneuil Hall was established 50 years ago but was temporarily shuttered during the 2020 Covid crisis. Now it has reopened along with a booth located in Copley Square. Available tickets throughout the year can be found at www.BosTix.org. For information about special offers throughout the the city, visit https://calendar.artsboston.org/categories/bostix-deals

THROUGH JUNE 20: IN OLD AGE

ArtsEmerson presents Front Porch Arts Collective’s production of In Old Age at the Emerson Paramount Center Jackie Liebergott Black Box Theatre at 559 Washington Street in Boston. This is number eight in Mfoniso Udofia’s nine-part play Ufot Family Cycle 9. Directed by Dawn M. Simmons we find Abasiama Ufot, still living in the house of her deceased husband,. She forms an unexpected spiritual bond with Azell Abernathy, a soft-spoken, church-going carpenter. As their connection deepens, and Abasiama’s house–and soul–become clearer, she comes to understand the true nature of love, sending her off on one last journey through life. Tickets may be obtained at www.artsemerson.org

THROUGH JUNE 21: THE MYSTERY OF IRMA VEP – A PENNY DREADFUL

Central Square Theater at 450 Massachusetts Ave. in Cambridge brings Charles Ludlam, the creator of New York’s subversive and iconoclastic Ridiculous Theatrical Company, delightful mystery. Directed by Elliot Norton winning director David R. Gammons (Vanity Fair, Frankenstein), who also is responsible for the intimate set design. The story is initially set inside English estate of Mandacrest.

Paul Melendy and Gabriel Graetz: Photo by Maggie Hall Photography It is the home of Lord Edgar and his new bride, Lady Enid. Lord Edgar’s first wife, Irma Vep and their child died under strange circumstances. Jane Twisden, the maid, along with a swineherd named Nicodemus Underwood, who do not seem to be particularly fond of Enid.

Gabriel Graetz and Paul Melendy: Photo by Maggie Hall Photography One night, Enid is attacked by a vampire. Edgar, an Egyptologist, seeks answers in an Egyptian tomb, where he briefly resurrects the mummy of an Egyptian princess that he becomes obsessed with. He drags the sarcophagus back to England and becomes absorbed to hunt down the werewolf he blames for the death of his son and first wife.

Gabriel Graetz and Paul Melendy: Photo by Maggie Hall Photography But, Enid discovers Irma is locked away, as she claims Edgar wants the location of her jewels. So Enid steals the keys from Jane only to discover the prisoner is, in fact, Jane, who is the vampire, and one who murdered Irma and Edgar’s son. To further complicate things, Nicodemus, is actually the werewolf, Edgar is hunting for. I this Penny Dreadful mystery, the answers lie on more pages. Two actors wear a caboodle of costumes and wigs, perform umpteen lightning-speed costume changes accompanied with some majorly stunning comedic acting expertise. The fabulous costume designs are by Seth Bodie, Creative Lighting Desisns are by Jeff Adelberg, the clever sound designs are by Nate Tucker along with a number of supportive creative team member. The duo that creates a fantastical cast of characters including a sympathetic werewolf, a high strung maid, a vampire, and a seductive Egyptian mummy princess by utilizing the 35 lightning-quick costume changes are two of Boston theater’s most impressively funny and incredibly gifted comedians. They are the seasoned actor Gabriel Graetz* and the award winning Paul Melendy* in this camp spoof of a Gothic melodrama. The New York Times praised The Mystery of Irma Vep as “Far and away the funniest two hours on a New York stage!” Tickets for this totally absurd and completely fun production may be obtained at www.centralsquaretheater.org

THROUGH JUNE 28: LES MISERABLES

Lexus Broadway in Boston brings to the stage of the Citizens Bank Opera House at 539 Washington Street in Boston this stunning example of Broadway perfection. It features an outstanding cast of stellar performers who repeatedly elicited thunderous applause from the audience. It also contains numerous jaw dropping sets and special effects along with fabulous vintage costumes. The musical is based on Victor Hugo’s fictionalized tale but can further be enriched by the knowledge that much of it was inspired by the “June Rebellion” in France (June 5 and 6, 1832). Hugo was 30 years old at that time. The 2 day June Rebellion was a republican led attempt to dismantle the July Monarchy that was controlled by extremely wealthy members of the bourgeoisie. Their leadership resulted in economic downturn, food shortages and disease. When an outbreak of cholera struck Paris in 1932, claiming the lives of over 18,000 with the poor hit the hardest, Jean Maximilien Lamarque, (mentioned in the musical) was a member of the French Parliament that openly criticized the Monarchy. He was a veteran of the French Revolution of 1789-1799 and was embraced by the lower class for his decrying the Monarchy’s disregard for human rights. When he also died due to the epidemic on June 1, 1832, riots ensued that turned into an overt rebellion killing 800 from June 5 to June 6.

Nick Cartell as Jean Valjean freed on parole: Photo by Matthew Murphy & Evan Zimmerman by Matthew Made Les Miserables opens with the prisoner Jean Valjean (24601) being paroled from a hideous prison after 19 years for stealing a loaf of bread to help feed his sister’s son. But society will not forgive this marked prisoner. A kind Bishop takes him in but Valjean steals some silver from the rectory. Yet the priest forgives Valjean and gives him more silver to build an honest life from. Essentially the priest felt he bought Valjean’s soul for God. So he tears up his parole papers and creates a new and honest life for himself.

Hayden Tee as Javert: Photo by Matthew Murphy & Evan Zimmerman by Matthew Made Meanwhile, having broken parole, he is forever pursued by Inspector Javert. Valjean becomes owner of a factory where a young mother, Fantine works. When she rejects the advances of an overseer, he wrongly fires her. She is reduced to prostitution to provide support for her illegitimate daughter. Valjean eventually discovers the injustice done to Fantine, and realizes that he may be responsible for her circumstances. But she is now dying. With her last breath, Fantine appeals to Valjean to care for her child Cosette.

Lindsay Heather Pearce as Fantine: Photo by Matthew Murphy He discovers that she is being miserably cared for by a notorious inn keeper and his wife, the Thénardiers whose daughter Eponine is indulged while Cosette is treated as a servant. Years pass and a group of students led by Enjoiras decide to rise up against the corrupt government.

(From L) Alexa Lopez as Cosette, Jaedynn Latter as Éponine, Peter Neureuther as Marius: Photo by Matthew Murphy Included in the group of young patriots is Marius who falls in love at first sight with Cosette and enlists the help of Eponine to help him meet her. Eponine also secretly loves Marius but she is the poor daughter of the thieving Thenardiers and realizes he will never love her.

The Barricade: Photo by Matthew Murphy Meanwhile the plot thickens as the revolt moves forward, the barricade is built, Javert is moving closer to Valjean, shots begin to ring out’, and losses can now be counted , along with secret heroes.

Nick Cartell as Jean Valjean: Photo by Matthew Murphy The marvelous music for Les Misérables was composed by Claude-Michel Schönberg in collaboration with lyricist Alain Boublil, who wrote the original French lyrics, with Jean-Marc Natel also contributing lyrics. The English-language lyrics were written by Herbert Kretzmer.

“Red and Black”…Peter Neureuther as Marius calls the group to rally: Photo by Matthew Murphy The waving of the red flag, so prominent in this emotionally charged musical was a popular symbol of patriotism during the actual revolt.

“One Day More”: Photo by Matthew Murphy The dialogue is essentially sung in its entirety and is filled with memorable and intensely beautiful songs such as “I Dreamed a Dream,” “Do You Hear the People Sing?,” “One Day More,” “On My Own,” and “Stars”. Having been experienced by millions throughout the world, it is globally one of the most popular and long-running musicals that is revisited by audiences time and time again. Tickets for this not-to-be-missed, brilliantly outstanding musical tale that is filled with examples of resilience and love may be obtained at www.BroadwayInBoston.com.

THROUGH JUNE 28: ANNIE

Greater Boston Stage Company, 395 Main Street in Stoneham raises everyone’s spirits this season with this popular musical. With music by Charles Strouse, lyrics by Martin Charnin and book by Thomas Meehan, this musical, that originally opened on Broadway in 1977 and captured seven Tony Awards, including for Best Musical has continued to this day to provide numerous productions throughout the U.S. as well as around the world. It has also fostered multiple TV and film productions. A classic family favorite, the show always brightens the outlook for all ages. We all assuredly will come out the theater doors singing “the sun will come out tomorrow’! This is the delightful tome that one spunky, always hopeful little orphan girl, named Annie, has encouraged all to do. Directed by Tyler Rosati, Choreographed by Ceit Zweil with Music Direction by Bethany Aiken, the cleverly creative Set design is by Katy Monthei and the period Costume designs are by Kelly Baker. The story is set in New York City during the great Depression of the 1930s. People have lost their life savings and cant even seem to sell and apple on the street. Annie, an upbeat, positive thinking orphan girl, lives with a group of young girls, in the city orphanage. It is run by the crusty and very frustrated Miss Hannigan who feecs them mush and forces them to work sewing clothes as well as scrubbing the floors.

Livia Quist as Annie (Ctr) surrounded by cast of orphans: Photos by Nile Scott Studios

Annie is always offering encouragement to the other girls in the orphanage. She also tends to be the peace maker amongst them and mothers the youngest ones. She was left at the orphanage as a tiny baby. But she had a note attached to her and a half of a locket around her neck so she is sure she can find her parents.

But that means, periodically seeking clever ways to sneak out of the orphanage.

Livia Quist and Tader Shipley: Photos by Nile Scott Studios But when Annie is selected by Grace Farrell, the secretary of the Billionaire Oliver Warbucks, to come and stay for the Christmas holiday at his luxurious home, Warbucks is initially put off by the idea of a “girl” orphan. He has routinely always entertained boys.

Micahel Saenz as FDR (Ctr) and Cast:Photos by Nile Scott Studios But he quickly becomes enamored by the spunky Annie, even bringing her to meet the president, Franklin D. Roosevelt, where she inspires the president as well as his cluster of advisors to create the “New Deal” by singing her song “Tomorrow”.

Livia Quist and De’Lon Grant: Photos by Nile Scott Studios. Warbucks decides to adopt Annie but she, who has worn half a locket around her neck since she was a foundling, believes her parents are still alive and will one day come and claim her. So Warbucks, despite a heavy heart, offers a reward of $50,000 to find Annie’s parents.

Mark Linehan, Ceit Zweil,nand Kathy St. George: Photos by Nile Scott Studios. Meanwhile, back at the orphanage, Miss Hannigan’s con artist Brother, Rooster and his floozy girl friend, Lily St. Regis join Miss Hannigan in conspiring to cheat Warbucks out of the reward money by kidnapping Annie. The talented cast boasts numerous dancers and singers, including many Actors Equity Members. Together, they brilliantly perform all the memorable songs from the score including “Tomorrow,” “It’s the Hard-Knock Life,” “Maybe,” “I Think I’m Gonna Like It Here,” “N.Y.C.,” “Easy Street,” “Maybe” and “You’re Never Fully Dressed Without a Smile’. Annie is a fabulous, magical rags to riches story where Annie ultimately discovers the true meaning of family.

The “blue cast” members of Annie..including Gideon in the role os Sandy, Annie’s dog: Photos by Nile Scott Studios Her journey takes her from the strict orphanage to a lavish mansion but most importantly, Annie discovers, with the help of her dog Sandy and a lot of “Tomorrow” optimism, that the sun truly will come out! This beloved musical is filled with heartfelt charm. The thirty member cast for ANNIE features, Helen M. Brady & Livia Quist alternating in the role of Annie. Both girls give a dynamite, solidly strong and convincing performance. Miss Hannigan is played by Ceit Zweil*, with Oliver Warbucks played by De’Lon Grant*. The role of Grace Farrell is played by Tader Shipley*. The role of Rooster Hannigan is played by Mark Linehan* and the incomparable Kathy St. George* takes on the role of Rooster’s girl friend, Lily St. Regis. A fantastic ensemble group includes Christian David* as Bert Healy; , Stephen Markarian* as Drake and Mr. Bundles; is FDR; Michael Sáenz*; Pearl Scott is Mrs. Greer and one of the Boylan Sisters; Holly B. Faust is Star to Be, Cecile and another Boylan Sister; Sarah Morin is Mrs. Pugh and the 3rd Boylan Sisiter: Nate Elmer is Ward: Giselle is Annette McCracken.The orphans include a rotating cast of young performers in the following roles as follows. Duffy: Marina Liwanag & Maya Feldman; July: Aisling Murray & Georgia Linehan; Kate: Cassidy Linskey & Riley McGuinn; Molly: Ainsley Moulton & Audrey Awad; Pepper: Brenna Brien & Quinn Briere; and Tessie: Bella Nevin & Penelope Mae Kaminsky. The lighting Design is by Cory Whittemore, Sound Deisgn isby Adam Smith.The production team also includes Weylin Symes (Producing Artistic Director. The production is accompanied by a live orchestra. ANNIE is fun as well as funny and will engage the entire family. Tickets for this spectacular musical may be obtained at www.greaterbostonstage.org

THROUGH JUNE 28: EUREKA DAY

The Huntington brings to their stage at 264 Huntington Ave. in Boston this wildly funny satire. Playwright, Jonathon Spector has taken his delightful comedy that was produced in 2018 and revived it into an all new, even funnier version that netted him the 2025 Tony Award for Best Revival of a Play. Directed by Margot Bordelo, the story revolves around the Eureka Day school, a progressive, welcoming private school where its parents can uphold their harmonious shared values. That is until they face an outbreak of the mumps. When the school’s executive committee decides that their liberal policy surrounding vaccinations must be changed they are faced with a collection of “woke” individuals who are more motivated to be heard than to actually listen. Tensions arise surrounding this topic of vaccinations, something we still are surrounded with. Each parent is fighting to confirm their validity to be recognized as being a “good” parent, if not even a better one than the rest. This “community activated conversation” begins to evolve into ‘an all-out brawl – with uproarious, fresh, and thought-provoking results’. It was called “gaspingly funny!” by New York Magazine. While Deadline called it, “a shiny, insightful, and damn funny little gem. One of the best plays of the season”. Playwright Jonathan Spector stated, “I’m thrilled to get to share this play with Huntington audiences, Eureka Day explores, among other things, the dangers of vaccine misinformation, and the challenge of forming any kind of civil society when people cannot agree on baseline truth. When I sat down to write this play seven years ago, I could never have fathomed these would be issues that hit so close to home for so many of us. Unfortunately, here we are.” The cast of Eureka Day includes Ken Cheeseman as Don, head of the school. Nancy Lemenager plays Suzanne, a mother of six. Eunice Woods is Carina, a mother of one who has worked at nonprofits her entire career. Sasha Diamond is Meiko, a single mother and a landscape architect. Japhet Balaban plays Eli, a father in an open marriage and serial hobbyist and Ebonie Marie is Winter, a parent. Understudies include: Jeff Church, Jihan Haddad, Christine Hamel, and Ebonie Marie. The creative team includes scenic design by Luciana Stecconi , costume design by Zoë Sundra, lighting design by Cha See, projection design is by John Horzen & UptownWorks , and sound design by Daniela Hart, Noel Nichols, Bailey Trierweiler & UptownWorks . The dramaturgs are Charles Haugland and Sid Jepsen, the voice and text coach is Ashleigh Reade, and the hair and makeup design is by Rachel Padula-Shufelt. The production stage manager is Ashley Pitchford and the stage manager is Lauren J. Burke. NY Casting is by Alaine Alldaffer, CSA and Lisa Donadio. Boston casting is by Brett Duffy. Tickets for this insightful, reflective and very funny comedy may be obtained at www.huntingtontheatre.org

THROUGH JULY 2: DELIRIUM

The Calderwood Pavilion at the Boston Center for the Arts at 527 Tremont Street I Boston’s South End hosts ARLEKIN’s return to Boston with Igor Golyak’s bold new adaptation of Eugène Ionesco’s Frenzy for Two. Directed by Igor Golyak, the play brings together two of the most celebrated international stars Andrey Burkovskiy and Chulpan Khamatova as they take on this darkly comic, deeply human piece about survival, love, and the fragile architecture of reality. The story surrounds a couple who are locked in an endless argument while the world outside collapses into chaos. As the boundaries between reality and delusion dissolve, Khamatova (“Her”) and Burkovskiy (“Him”) inhabit a space where conflict becomes connection, and contradiction becomes a form of devotion. What begins as absurdist comedy, the work reveals its deeper truth. It is two people fighting not against each other, but for each other’s continued existence. Golyak states, “Andrey and Chulpan remind us that identity is not what you lose when you leave home, but what you discover you can create anywhere.” Golyak is one of the most inventive voices in international theater. Delirium continues Arlekin’s tradition of creating formally daring, emotionally resonant work. The production reunites Golyak with an international design team behind the company’s critically acclaimed award-winning production of Our Class, which won the Lucille Lortel Award for Best Revival and Best Director, and the Elliot Norton Award for Outstanding Visiting Play and Outstanding Performance by Khamatova. Acclaimed screen and stage actors Burkovskiy and Khamatova bring extraordinary depth and lived experience to the production. Both artists, having left Russia in the wake of political upheaval, carry within their work the urgency and emotional truth of displacement making Delirium not only a reinterpretation of Ionesco, but a reflection of the present moment. Arlekin is a company of immigrant artists that continue to create work that explores identity, exile and belonging through a distinctly international lens. Known for productions that blur boundaries between languages, cultures and theatrical forms, the company has earned widespread recognition in Boston, New York and abroad for its innovative storytelling and emotional immediacy. “As admirers of Igor’s singular creative voice, we are excited to work with Arlekin to bring Delirium, Igor’s follow-up to his award-winning Our Class, to the stage,” said producers Craig Balsam, Patrick Catullo and Thomas M. Neff, who are working in association with Arlekin. Delirium is theater shaped by urgency — a work that asks what remains when everything else disappears, and whether love itself can be an act of resistance. Tickets can be purchased at: https://www.bostontheatrescene.com/shows-and-events/delirium

JULY 7 – 19: THE GREAT GATSBY

GAT_1200x1200 Broadway In Boston, as part of the 25/26 Lexus Broadway in Boston Season, is thrilled to bring to the Citizens Bank Opera House at 539 Washington St. in Boston the North American tour of this smash hit Broadway musical. It won the 2024 Tony Award® for Best Costume Design, swept the 2024 Broadway.com Audience Choice Awards for Favorite New Musical, was nominated for Outstanding New Broadway Musical by the Outer Critics Circle (2024) Awards, and captured nine top awards for BroadwayWorld’s 2024 Theater Fan’s Choice awards, including Best Musical. This musical is based on the beloved novel by F. Scott Fitzgerald that was written in 1925 and became one of the most popular novels of all time. It has sold over 30 million copies and averages continuous sales of over 500,000 annually. Translated in to 42 different languages, it has also been adapted for TV, radio, and multiple films that include the famed Baz Luhyrmann film that starred Leonardo DiCaprio. The story is set in the Roaring Twenties and follows the eccentric and mysterious millionaire, Jay Gatsby. Despite his wealth, he is obsessed in his pursuit of his lost love, Daisy Buchanan. Surrounded by opulent wealth and a cast of diverse characters, the production is driven by an electrifying jazz and pop-infused score by by Tony Award nominees Jason Howland (music) and Nathan Tysen. (Lyrics)> The play book is by Kait Kerrigan. It is staged by the award-winning director Marc Bruni, with choreography by Dominique Kelley. It also features Drama Desk Award-winning scenic & projection designs by Paul Tate de Poo III, Tony Award-winning costume design by Linda Cho, sound design by Tony Award winner Brian Ronan, lighting design by Cory Pattak. Arrangements and Music Supervision are by Jason Howland with Orchestrations by Jason Howland and Kim Scharnberg. “This production is a big, bold, Broadway version of The Great Gatsby. It’s thrilling to see these indelible characters and iconic moments from the novel come to life on stage. This stage production, which honors the novel and its history while also speaking clearly to today’s audiences, is a terrific new iteration of this classic work.” – The Estate of F. Scott Fitzgerald This musical brings audiences into the exquisitely fascinating existence of the wealthy where money does not buy us what we really want and need. Tickets for this extraordinary, jaw-dropping and completely stunning musical may be obtained atwww.BroadwayInBoston.com

JULY 8 – 19: JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT

Bill Hanney’s award-winning North Shore Music Theatre (NSMT) at 54 Dunham Rd. in Beverly brings to their theatre-in-the-round this new production of Andrew Lloyd Webber and Tim Rice’s celebrated musical. A cast of 49 talented performers provide a vibrant, celebration of music, storytelling, and imagination as it paints a vivid picture of the biblical tale of Joseph the favorite son of Jacob. When Jacob gives Joseph a glorious coat made of many colors, his jealous brothers fake his death and sell him into slavery in Egypt. But Joseph has a gift to be able to define dreams and is called upon to interpret Pharaoh’s dream that seven fat cows are being devoured by seven skinny cows, and another one is about seven healthy ears of corn, similarly being devoured by seven withered ears of corn. Joseph tells Pharaoh that the dreams mean that Egypt will experience seven years of plentiful harvests, followed by an equal period of severe famine. So Pharaoh makes Joseph his second-in-command, and puts him in charge of famine preparations. When the seven years of famine begins, Egypt, under Joseph’s leadership, manages to survive. But, Joseph’s family back home is now starving and poor. Hearing that Egypt still has food, the brothers travel there to beg for supplies but do not recognize Joseph. He gives them sacks of food, but in an act of revenge for their attempted fratricide, he plants a golden cup in the sack belonging to Benjamin, his youngest brother. When the cup is found in Benjamin’s sack he is accused of stealing. The other brothers beg to take them prisoner instead and let Benjamin go free. Joseph sees his brothers have changed and reveals himself. He sends for Jacob who when seeing his lost son after 14 year, returns Joseph’s now fully repaired coat to him. The production is filled with humor, heart and a kaleidoscope of music, dance, and unforgettable songs like “Any Dream Will Do” and “Close Every Door.” “We are ready to light up the summer with a spectacular new staging of Joseph and the Amazing Technicolor Dreamcoat,” said NSMT Owner and Producer Bill Hanney. “This show is the ultimate family experience, and since it hasn’t been on the NSMT stage since 2010, the anticipation is massive. Director and choreographer Gerry McIntyre is crafting something truly magical here. With a phenomenal cast led by the incredible Nikita Burshteyn and the dazzling Olivia Valli, we are bringing unmatched heart and vibrant modern energy to this beloved show. Audiences will experience a colorful theatrical celebration they won’t soon forget.” The cast features Nikita Burshteyn as Joseph. Nikita won notable acclaim for originating the leading role of Romeo in the Off-Broadway musical comedy Romeo & Bernadette: A Musical Tale of Verona and Brooklyn. He will be joined by Olivia Valli (Broadway/National Tours: Wicked, Pretty Woman) as the Narrator, Brent Thiessen (Broadway/National Tours: Beaches, Pretty Woman) takes on the role of Pharaoh, and Eric Jordan Young (Broadway: Chicago, Ragtime, Seussical, Look if Love, Dessa Rose) is Jacob/Potiphar. The adult company also includes: Jonah Barricklo, Sylvia Blaise Taylor, Bennett Cooper, Nicholas Cunha (Simeon), Rendell A. DeBose (Judah), Claire Flynn, Benji Godley-Fisher (Dan), Michael Corey Hassel (Benjamin), Kai Horvit (Zebulun), Naomi Kakuk (Mrs. Potiphar), Stephen C. Kallas (Gad), Alex Kennedy, Evan Latta (Napthali/Apache Dancer), Mandy McDonell (Apache Dancer), Brady Miller (Reuben), Henry H. Miller (Issachar/Butler), William Mosier (Asher), Naderah Munajj, Linda Neel, Emma Sucato, and Michael Anthony Sylvester (Levi/Baker). The production will also feature 2 rotating casts of local youth actors including: Quinn Briere, Nora Celesk, Adalyn Daly, Alex D’Onofrio, Maya Feldman, Yuma Feldman, Gilda Fitzpatrick, Daniella Frink, Keira Gasson, Cassidy Linsky, Brendan Mackenzie, Ava Morin, Ella Morin, Evelynn Neves, Roselee Neves, Norah Pritchard, Olivia Riley, Madalene Rodrigues, Emerson Rose, Ronika Salehian, Alysha Sandaire, Alexia Towne, Ella Tugender, and Eli Wettengel. The creative team for the musical includes Gerry McIntyre (Director/Choreographer), Robert L. Rucinski (Music Director), Baron E. Pugh (Scenic Design), Rebecca Glick (Costume Coordinator), José Santiago (Lighting Design), Alex Berg (Sound Design), Rachel Padula-Shufelt (Wig & Hair Design), James O. Hansen (Production Stage Manager), Spencer Stanley (Assistant Music Director), Elena King (Assistant Stage Manager), and Maria Papadopoulos (Assistant Stage Manager). This show is produced for North Shore Music Theatre by Bill Hanney (Owner/Producer), Kevin P. Hill (Producing Artistic Director), and Matthew Chappell (Associate Producer/Casting Director). It is presented through special arrangement with Concord Theatricals. Tickets for this delightfully memorable show for the whole family may be purchased here at www.nsmt.org

JULY 11 – 30: PARANORMAL ACTIVITY…Live On Stage

Boston’s Emerson Colonial Theatre at 106 Boylston Street brings to their stage this “Melting Pot” production in association with Jason Blum, founder and CEO of Blumhouse, the original producer of the Paranormal Activity film franchise and Paramount Pictures. The show was written by Levi Holloway (Grey House) and is directed by Felix Barrett (Sleep No More). Based on the Paranormal Activity films, first written and directed by Oren Peli and brought to the screen by Blumhouse and Solana Films and was released by Paramount Pictures in 2009, it was “a master class in psychological terror” that ultimately fostered seven films and grossed close to $200 million worldwide. That legacy of fear has now been brought to the intimate stage that has resulted in sold out performances in the U.S. and also in he UK where it received a 2026 Laurence Olivier Award nomination for Best Entertainment.

It is a disquieting psychological thriller that surrounds James and Lou who have move from Chicago to London to escape their past. But they soon discover that places aren’t haunted, but people are. Lou seems to be struggling with some emotional issues while the house they are living in seems to have a personality all its own!. With an original story inspired by the film franchise, PARANORMAL ACTIVITY has elevated the modern ghost story with a chilling intimacy that only live theatre can provide. So be prepared to scream and have a companion who does not mind you grabbing their arm in utter panic periodically.

The cast features Cher Álvarez as Lou, Travis A. Knight as James, Shannon Cochran as Carolanne, who are all reprising their roles while Andrea Syglowski as Etheline Cotgrave makes her PARANORMAL ACTIVITY debut. The understudies Caron Buinis, Caroline Hendricks, and Michael Holding are also reprising their roles from previous productions across North America. The scenic and costume designs are by Tony Award Nominee Fly Davis (Caroline, Or Change 2021) while the illusions designs are by Tony Award Winner Chris Fisher (Stranger Things: The First Shadow). The lighting design is by Anna Watson (Giant) with the sound design by Tony Award Winner Gareth Fry (Harry Potter and the Cursed Child). The video and projections designs are by Drama Desk Award Winner Luke Halls (The Lehman Trilogy). General Management by Samuel Dallas/Envoy Theatricals. On August 14^th it makes a giant leap to Broadway so catch it now. The Chicago Tribune stated, “A lesson in live, minimalist terror. The one thing most people will want to know: Will I be scared? Yes. Very. Cleverly, too.” Tickets for this roller coaster ride of terror may be obtained at www.emersoncolonialtheatre.com

THROUGH JULY 12 BLACK SWAN

The American Repertory Theater (A. R.T.)at Harvard University, led by Terrie and Bradley Bloom Artistic Director Diane Paulus, brings this world premier to the stage of the Loeb Drama Center at 64 Brattle St. in Cambridge. It is a bold, outside the box, new musical adaptation of the 2010 psychological thriller produced by Searchlight Pictures that was created from a story by Andres Heinz and received five Oscar-nominations. This all new production is directed and choreographed by Tony Award winner Sonya Tayeh (Gatsby at A.R.T., Moulin Rouge! The Musical on Broadway). The music and lyrics are an interesting blend of the melodies of Tchaikovsky’s Swan Lake which have been artfully combined with a haunting and throbbing electronic soundscape by Obie Award winner Dave Malloy (Moby-Dick, The Great Comet, and others at A.R.T.). The book is by Guggenheim Fellow Jen Silverman (The Roommate, Collective Rage: A Play in 5 Betties). The music supervision and direction are by Or Matias (Moby-Dick, The Great Comet).

Melanie Moore (Nina) and KateJennings Grant (Barbara): Photo by Hawer and Hall The story is a passionate tale of a person’s obsessive ambition in order to achieve perfection no matter what the costs. Nina Sayers dreams to rise from the ballet corps and obtain the lead role in Swan Lake. It has also always been the obsession of her mother, Barbara, who is living vicariously through her daughter, forcing her to accomplish what her own failed aspirations as a dancer achieved. The consomate “backstage mother”, she perpetually drives her daughter to become the prima ballerina by feverously working with her in their home created ballet studio while perpetually hammering Nina with feelings of guilt and demanding her to succeed. When the financially struggling ballet company invites the famed innovative choreographer LeRoy to direct Swan Lake, the woman introduces an all new, contemporary version of the classic ballet. She tosses out the prince, the evil sorcerer, and focuses completely on a tale that surrounds just the swans. Plus, she announces that she will chose who will perform the coveted dual role of Odette, the fragile white swan and Odile, the dark Black Swan. The Prima Ballerina Beth is horrified and finds herself forced into retirement when LeRoy choses Nina. Nina’s mother turns the pressure up despite LeRoy stating Nina will be directed soley by her. The key ballerina in Swan Lake is a notoriously difficult role that forces a dancer to not only excel as a dancer but also must be able to act. It demands that they can convincingly demonstrate the attributes of good as well as evil in the swans, taxing a dancers stamina, and technical abilities. But LeROy’s skewed version is an excrutionatingly painful task that Nina struggles with.

Members of the ensemble surround MelanieMoore (Nina) and JadaSimoneClark (Lily) as the tensions grow between them surrounding the coveted role in Swan Lake: Photo by Hawver and Hall

Meanwhile, Lily, a highly accomplished, and equally ambitious dancer challenges Nina for the premier role as she is inately able to perform the emotional level that LeRoy is asking. Yet LeRoy insists on keeping Nina in the role. But Nina’s own personal obsession for success further presses on what one has already begun to see…the fragiligy of Nina’s sanity.

Melanie Moore (Nina): Photo by Hawver and Hall This stress of the role combined with the knowledge that Lily is always waitng in the wings further distorts Nina’s perception of reality. She discovers that she has cuts on her body and begins hallucinating a series of horrific experiences, swearing she is pulling black feathers out of her skin while feeling she is turning into the black swan. The night of the ballet, it is decided that Lily will perfom the role But Nina sneaks onto the stage and performs the role of the black swan, much to the joy of LeRoy. But horror ensues as they realize Nina is bleeding, as she ultimatley collapses. This intensely passionate production is enhanced by exquisite scenography by Tony Award nominee AMP, featuring Marissa Todd (The Outsiders and John Proctor is the Villain on Broadway). The gorgeous costume designs are by Emmy Award winner Shiona Turini (Beyoncé’s Formation;Insecure on HBO). The lighting design is by Drama Desk Award winner Isabella Byrd (Cabaret on Broadway; Romeo + Juliet on Broadway)…along with the sound design by Tony winner Kai Harada (We Live in Cairo and The Black Clown at A.R.T., Merrily We Roll Along and The Band’s Visit on Broadway).

Ida Saki (Doppel) comes face to face with Melanie Moore (Nina): Photo by Hawver and Hall The cast features Melanie Moore as Nina; Jada Simone Clark as Lily; Tory Trowbridge as Beth, the Prima Ballerina; Amber Iman as the demanding choreographer LeRoy and Kate Jennings Grant as Barabara the overbearing mother. They are joined by Thom Sesma as Jacques & Rothbart; Ida Saki as Doppel; Kyle Brown as Ajay. The Ensemble consists of Karli Dinardo as Glory/Ensemble; Caleb Marshall as Dylan/Ensemble; and Sarah Sigman as Morgan/Ensemble. The rest of the ensemble include Gabriel Hyman, Am Charizma Lawrence, Adrian Lee, Ava Noble, Martell Ruffin, Anthony Santos,, Chelsea Thedinga and Valeria Yami. Swings include Alex Aquilino, Cameron Burke, Mia DeWeese, and Johanna Moise. Mehry Eslaminia is an understudy. The fabulous Illusion design is by Tony winner Chris Fisher (Stranger Things: The First Shadow and Harry Potter and the Cursed Child on Broadway) along with Skylar Fox (Boop! the Musical and Once Upon a Mattress on Broadway). The blood design is by Lillis Meeh (John Proctor is the Villain and Romeo + Juliet on Broadway), with the Fight and Intimacy Direction by Rocío Mendes (Gatsby at A.R.T.; Merrily We Roll Along and POTUS on Broadway). The Hair and Wig designs are by Oscar winner Mia Neal (Ma Rainey’s Black Bottom; Pose on FX; The Notebook and Hell’s Kitchen on Broadway); and makeup design by Sarah Cimino (Moulin Rouge! The Musical on Broadway). Additional members of the production crew are Benita de Wi as the associate director, Camden Gonzales is the associate choreographer, James Nguyen and AC Gottlieb are the associate costume designers, Paul Toben is the associate lighting designer, and Owen Meadows is the associate sound designer. Genevieve Kersh is the production stage manager, Amy Marsico is the stage manager, and Elizabeth Emanuel is the assistant stage manager. Casting is by C12/ Stephen Kopel and Jillian Cimini. lack Swan is presented by special arrangement with Buena Vista Theatrical. Production support is provided by Katie and Paul Buttenwieser, Linda and Winfield Perry, and by Choate, Hall & Stewart LLP. The production features a series of intense bright lights, several disturbingly violent scenes, and is definitely not for children. Tickets for this spectacularly unique theatrical production that promises to captivate audiences as pressure builds and realities blur, may be obtained at www.AmericanRepertoryTheater.org

JULY 17 – AUG. 8: A NEW ERA

Just in time for America’s 250th birthday, Company One Theatre brings to The Strand Theatre at 543 Columbia Road in Dorchester this world premiere by Miranda Austen ADEkoje. Directed by Summer L. Williams, the story surrounds seven formidable women who gathered right here in Boston for an unprecedented national conference. With liberation and Black Lives at stake, they have journeyed across a divided America. Can they get in formation, navigate their political differences, and organize together to criminalize lynching? The year might be 1895, but the fight is very much our own. A New Era is a real-life story of politics, passion, and perseverance. It is a powerful celebration of Boston’s Black suffragist movement and a call to build upon that legacy today. A New Era centers on the critical role Black women have played in the fight for civil rights, abolition, and Black liberty. Today, Black women are still pushing movements forward, yet they remain largely obscured in American history books due to both racism and sexism. A New Era celebrates a transformative part of Black history hosted right here in our city, and demonstrates the importance of organizing and strategizing toward collective liberation. Tickets for this stirring production may be obtained at www.companyone.org

JULY 18 – AUG. 1: BUYER AND CELLAR

Hub Theater Company brings to Club Café, 209 Columbus Ave. in Boston’s Back Bay, Jonathan Tolins’ hilarious tale about the delightfully absurd world of Alex Moore, a struggling actor who cant seem to even hang onto a role at Disneyland. He gets hired for a secret gig where he will run the private shopping mall in Barbra Streisand ‘s basement. And yes, although this play is deliciously fictitious, Streisand has built a mini mall, replete with various stores that range from clothing to antiques in her basement. She did this rather than boxing away all her costumes, collectibles and keepsakes. But back to the character of Alex Moore. When your boss is a celebrity, who likes to pretend to shop and you must become the sales person then retail therapy takes on a whole new dimension plus a whole new set of rules. Directed by local favorite Daniel Bourque, this one man play stars the incomparable, multi-Elliot Norton and IRNE award winner Victor L. Shopov. He brilliantly takes on the role of Alex, but also the Diva herself…Barbara Streisand, along with her husband, James Brolin, as well as Alex’s catty and vindictive boyfriend who is hell bent on taking the luster off Streisand that is in Alex’s eyes. Hub Theater Company of Boston was founded in 2012 to foster creativity among Boston’s theatre artists. Hub is a 501(c)(3) non-profit, professional non-Equity theatre company committed to entertaining, captivating, socially aware and emotionally engaging theatre in intimate settings. In the interest of cultivating a diverse audience and breaking down barriers between audience and art, all tickets to all performances are Pay-What-You-Can. For tickets and information please visit our webpage at www.hubtheatreboston.org

JULY 22 – AUG. 9: A MIDSUMMER NIGHT’S DREAM

Commonwealth Shakespeare Company (CSC), the widely noted, stellar non-profit acting company is best know for its annual free summer performance on Boston Common. Founded in 1996, the organization has been dedicated to artistic excellence, accessibility, and education. Directed by CSC Founding Artistic Director Steven Maler, this summer (CSC) for their 30th production of FREE Shakespeare on the Common at the Parkman Bandstand brings the return of one of Shakespeare’s most delightful comedies. So pack a picnic, bring your blankets or chairs and come and enjoy this marvelously funny tale that surrounds four young Athenians, Hermia, Lysander, Helena, and Demetrius. It starts when Egeus brings his rebellious daughter Hermia in front of the Duke. He wants his daughter to marry Demetrius but Hermia refuses, because she’s in love with Lysander. The Duke orders Hermia to obey her father or, according to Athenian law, she must face a death penalty or enter a convent. So Hermia and Lysander decide to elope that night. They confide in their friend Helena. However, she’s secretly in love with Demetrius so, hoping to win his affection, she tells him of Hermia’s plan. That night, all four lovers flee into the magical forest. Elsewhere in the forest, a troop of actors including a man named Bottom are planning to perform a play in celebration of the Duke’s wedding so they are there rehearsing. Meanwhile Oberon and Titania, King and Queen of the Fairies are quarreling so Oberon summons his servant Puck to find a magic plant, the juice of which when squeezed onto the eyes of someone asleep, causes them to fall in love with the first creature they see when they wake up. Oberon uses the juice on Titania as she sleeps in her bower. But Puck playfully has turned one of the actors head into the head of a donkey so when Titania wakes, she falls madly in love with Bottom, the now donkey headed actor. Helena chases Demetrius in the forest and their fighting disturbs Oberon. He tells Puck to use the magic plant on Demetrius too, so that he will fall in love with Helena. However Puck muddles up the two Athenian men and uses it on Lysander instead, who promptly falls in love with Helena. Both women are confused and Hermia furiously attacks her friend. Thus everyone becomes entangled in the confusion that leads to chaotic romantic mayhem caused by a love potion. Come and enjoy this Free story and find out if all turns our well for everyone in the forest. In partnership with Think Outside the Vox, CSC provides an array of accessibility services, including open captioning, assistive listening devices, and large-print and Braille programs at every performance, with ASL interpretation and audio description at selected performances. For complete Information on dates, times, and services visit www.commshakes.org

JULY 24: DEREK HOUGH SYMPHONY OF DANCE: ENCORE

Following the sold-out successes of “Derek Hough Symphony of Dance”, “Derek Hough Dance for the Holidays:, and “Derek Hough Live: The Tour”, the amazing EMMY® award winning Derek Hough returns with this all new and innovative and exciting dance “ENCORE” experience for 2026. Hough has been wowing American audiences with his talents for years. From being a pro in Dancing With The Stars to becoming a judge and starring in Hairspray Live, this man of many talents has done it all! Don’t miss the dancing king as he dances his way to you! The Boch Center Wang Theatre at 270 Tremont Street brings this live dance show that features new high-energy choreography, stunning staging, astounding versatility and, as always, Derek’s magnetic ad unrivaled stage presence. He brings the audience along in a journey through of true fusion of dance and music as he explores styles ranging from ballroom, tap, salsa, hip-hop and everything in between, making this show perfect for everyone.The co-creators, directors and supervisers of the choreography for the tour are the two-time EMMY® winners, Napoleon and Tabitha Dumo, also known as NappyTabs. They were the creative genius behind (Jennifer Lopez’s ‘All I Have’ Residency; Michael Jackson: The Immortal World Tour; along with the GRAMMYs® creative direction, Derek Hough Symphony of Dance: Encore is produced by Greg Young of Mojave Ghost, a Tony Award & Drama Desk-Award nominated producer. He’ has also produced the award-winning Broadway shows tha tinclude Bob Fosse’s Dancin’, The Illusionists, Little Women, and Wait Until Dark, as well as , Las Vegas Residencies for Derek Hough: No-Limit! and Donny Osmond’s Show. Tickets for this unforgettable production b may be obtained atwww.bochcenter.org